[Flávio Bittencourt]
 
Nº 8 - Boletim da regional RECORTE da associação de comunicação e semiótica
 
Regional Centro-Oeste/Norte (Recorte) / FORMOSA/GO, 8 de julho de 2013 - Periodicidade: quinzenal.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

(http://pigtown-design.blogspot.com.br/2009/03/poe-stamps.html)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

(http://www.nystamp.org/Intertwining%20Part%201%20Image%201.jpg

 

 

 

 

 

 

 

 

 

 

 

 

(http://pigtown-design.blogspot.com.br/2009/03/poe-stamps.html)

 

 

 

 

 

 

 

 

 

 

 

(http://desmanipulador.blogspot.com.br/2012/08/edgar-allan-poe-biografia.html)

 

 

 
 
[NESTA MATÉRIA NÃO HÁ PROPAGANDA PAGA, O QUE SIGNIFICA
QUE, SE SUA EMPRESA VIER A APOIAR EVENTOS CIENTÍFICOS, 
PODERÃO AS SUAS MARCAS APARECER AQUI, GRATUITAMENTE,
DA MESMA FORMA QUE, NO PROGRAMA DO JÔ (TV GLOBO),
O ESCRITOR, HUMORISTA, ATOR, ARTISTA PLÁSTICO,
MÚSICO-PERCUSSIONISTA, DIRETOR TEATRAL, JORNALISTA E
APRESENTADOR DE TELEVISÃO JÔ SOARES CITA AS FIRMAS PARTICULARES,
ASSOCIAÇÕES CIVIS, CLUBES, ONGs, IGREJAS, SINDICATOS, GOVERNOS E
EMPRESAS GOVERNAMENTAIS QUE APÓIAM O TEATRO BRASILEIRO.]
 
 
 
 
8.7.2013 -     F.
 
 
BOLETIM RECORTE Nº 8 - Boletim quinzenal (EDIÇÃO DA PRIMEIRA QUINZENA DE JULHO DE 2013):
 

BOLETIM DA ASSOCIAÇÃO RECORTE / CIDADE DE FORMOSA / GOIÁS / BRASIL, ANO I, Nº 8 - PERIODICIDADE: QUINZENAL - 1ª quinzena de JULHO de 2013, 8.7.2013 - Editor responsável: Cláudio Ramalho / e-mail: [email protected], endereço: R. 1, Cs. 952, Pq. Laranjeiras, 73.805-610 - Formosa-GO, Brasil - Editor da RECORTE (Revista anual de Teoria da Literatura, Comunicação e Semiótica): Rogel Samuel - Redator: Cláudio Ramalho - Revisor e copidesque: Flávio Bittencourt - Orientador editorial (in memoriam): Reynaldo Jardim - Diretor Honorário da Associação Recorte de Comunicação, Media e Semiótica: Umberto Eco. 

Sócios-correspondentes da Associação Recorte:

Varsóvia (Polônia): Jerzy Pelc

Helsínque (Finlândia): Eero Tarasti

Paris (França): Rafael Mário Hime

Perpignan (França) [in memoriam]: Gérard Deledalle

Lafayette, Indiana (EUA): Flyod Merrell

Brasília/início Asa N: Cleber José Coimbra

Brasília/ponta Asa N: Herondes Cezar

Brasília/início Asa S: Athos Cardoso

Brasília/ponta Asa S: Sandro Machado

Brasília (in memoriam): Profª. Regina (SQN 216 [Dona Helena, pseudônimo literário])

Brasília/Condomínios do Lago (SHDB): Sílvio Rocha

Sobradinho/DF: Geraldo Lima

Teresina: Dílson Lages Monteiro

Fortaleza: Jorge Tufic

Recife: Eduardo Henrique Accioly Campos

Manaus: Jair Jaqmont Cantanhede

Boa Vista:  Maurício Zouein

Campos dos Goytacases: Frederico Schwerin Secco

Rio de Janeiro/Copacabana: Frank Fragoso Willye

Rio de Janeiro/Urca: Rogel Samuel

Rio de Janeiro/Vila Isabel: Luiz Cesar Saraiva Feijó

Rio de Janeiro/Tijuca: Miguel Carqueija 

São Paulo: Norval Balteillo Júnior
 
Agradecimento: Este Boletim não poderia ter sido produzido sem o apoio logístico de Mais Diesel Ltda., uma empresa de venda de autopeças e acessórios para veículos automotivos (Rodovia BR-020, Formosa, estado de Goiás, Brasil). C. Ramalho

 

 

 

 

REVISTA RECORTE / EDIÇÃO ELETRÔNICA - 2014

O SEU ARTIGO DEVE SER MANDADO,

AOS CUIDADOS DE CLÁUDIO RAMALHO, PARA:

[email protected] ou

[email protected]

(até 28.2.2014; os nomes dos integrantes

do CONSELHO EDITORIAL da RECORTE / 2014 serão

informados em JAN / 2014 [membros com nomes confirmados:

Luiz Veríssimo, PhD, Flávio Bittencourt, MSc; Athos Cardoso, MSc,

Frank Willye, Bel. em Design; Karol Mello, MSc], editor: Rogel Samuel, PhD,

secretário: Cláudio Ramalho, editor honorário: Gillo Dorfles, Diretor Honorário

da Assoc. RECORTE de Comunic. e Semiótica: Umberto Eco; Diretor Perpétuo:

Décio Pignatari [1927 -2012])

 

 

 

 

10th International Conference on Semiotics

 

========================================================
The deadline for abstracts submission has been extended until the 9th of June, 2013

[PRAZO PARA SUBMISSÃO DE RESUMOS: ENCERRADO]
========================================================

‘Changing worlds & Signs of the times’

Co-organizers:
Hellenic Semiotics Society
University of Thessaly:
-Department of Primary Education
-Department of Early Childhood Education
-Department of Special Education
-Department of History, Archaeology and Social Anthropology
-Department of Architecture Engineering

Volos [GRÉCIA], 4th, 5th & 6th of October, 2013

 

 

 

 

Edgar Allan Poe: versos e reverberações 

Lucia Santaella

 

          Os impactos quase sísmicos, que o norte-americano Edgar Allan Poe deixou de provocar no seu próprio país para provocá-los no que houve de melhor na poesia francesa da segunda metade do século XIX e inícios do XX, já dispensam alongados comentários quanto à grandeza hoje indiscutível do gênio poeano.

          Na triade seqüencial daqueles que estão dentre os maiores poetas que a França trouxe à luz (Baudelaire, Mallarmé e Valéry) reverberam as influência de Edgar Allan Poe. Nessa medida, a Poética da Modernidade, inaugurada por Baudelaire, levada às últimas consequencias por Mallarmé e ressonante na poesia-pensante de Valéry, está inseminada pelos gérmens lançados por aquele rebelde americano que percebendo agudamente as mutações (crises e re-adaptações homeostáticas) que os avanços da ciência, tecnologia e industria iriam acarretar para o mundo das artes, foi o primeiro a entranhar as mutações, desentranhando-as em novas formas de sentir e de criar.

 

 

 

Nada mais bem lembrado, portando do que uma publicação-homenagem do mais famoso poema (Corvo) poeano, em edição trilíngüe, acompanhado da Filosofia da Composição, diálogo (poesia/ensaio crítico-metalingüístico) que compõe a mais perfeita "dialética interpenetrada" dos intercâmbios e trocas complementares entre criar e pensar, sentir e criticar, entre a inspiração e a vigilância, a liberdade e a disciplina, a beleza e o rigor.
O Corvo foi publicado, pela primeira vez, em 29 de janeiro de 1845 no The Evening Mirror. Um mês após sua publicação, o editor da Americam Whig Review, resenhando o poema, já percebia nele um dos mais raros e bem sucedidos exemplares da exploração dos recursos peculiares que o ritmo da língua inglesa oferece para a criação da melodia, medida e som com vistas a produzir um almejado efeito de sentimento. Conclui que muito da melodia de O Corvo emerge da aliteração e do uso cuidadoso de sons similares em lugares incomuns: entre a música e a poesia. Em síntese, o que aí esta implícito é aquilo que o poema aciona sem reservas ou comedimentos: a disseminação das rimas e dos revérberos de som e sentido por todos os recessos de cada verso e dos versos entre si.
Não por acaso Ch. Baudelaire sentiu agudamente a bicada do Corvo poeano, lutando para transpor para a sua própria língua, naquele jogo de perdas em uns pontos, compensadas por ganhos em outros pontos, que fazem da tradução uma tarefa de aprendizagem e descoberta dos contrapontos entre forças e fragilidades de que é feito o tecido de cada língua, e que só se revelam no confronto entre línguas que a tradução poética leva ao limite.
Mas a fascinação exercida por essa ave aliterante cruzou fronteiras e foi encontrar em Fernando Pessoa mais um poeta que tomou a si o desafio de fazer soar em português o canto, desenhado de ecos, em versos e reversos, do corvo emblemático. O teor de preciosidade do poema pode ser avaliado na medida equivalente da grandeza dos escritores que se expuseram ao seu apelo. No Brasil: Machado de Assis.
A evocação de uma "lembrança sem nunca ter fim" (Never-ending Remembrance) com que a intensão de Poe pretendeu envolver o final de seu poema, parece ressoar nos ouvidos dos grandes poetas que, respondendo à evocação, através da tarefa tradutória, de fato, fazem do poema uma lembrança sem fim.
Não por coincidência R. Jakobson, lingüista o mais lucidamente sensível às sutilíssimas filigranas fônicas, lexicais e gramaticais que a linguagem poética põe em jogo, escolheu o fragmento final de O Corvo como um dentre os terrenos privilegiados para expor suas investigações. Dentre as inúmeras engenhosas figurações de som-sentido (consecução do sentido no desenho material do som) que Jakobson evidencia no tecido do poema, cumpre por em evidência aquela que se tornou célebre por seu caráter exemplar dos procedimentos poéticos utilizados por Poe. O Corvo (RAVEN) repete, ao longo do poema, no lamento monótono do refrão, a expressão "Nunca Mais" (NEVER MORE). Ora, RAVEN (R.V.N.), demonstra Jakobson, é a inversão fonológica perfeita de NEVER (N.V.R.). Nessa medida, a palavra NEVER, desolado refrão que o pássaro imutavelmente repete, constitui numa imagem invertida da própria palavra RAVEN (Corvo). O corvo não podia dizer outra coisa, senão virar seu próprio nome pelo avesso.
Fica nisto um exemplo da engenhosidade de Poe, enquanto remetemos o leitor para uma das leituras mais preciosas na textura poética poeana, escrita por Haroldo de Campos ("Poe, engenheiro de avessos", em A Operação do Texto, ed. Perspectiva, SP), na qual, inclusive, a tradução que Fernando Pessoa realizou de O Corvo é examinada e vista como uma instância privilegiada da atividade crítica.
Com isso, passemos ao intertexto do poema com a Filosofia da Composição, na qual Poe, ardiloso e irônico "designer" de avessos, preparou para o leitor mais um jogo reverso.
Em abril de 1846, A Filosolfia da Composição apareceu na Graham's Magazine. Como uma espécie de golpe desmistificador contra a ideologia romântica reinante do poeta-vate que cria sob os efeitos quase mágicos do "lance santo raro da inspiração", n'A Filosofia da Composição, E. Poe despudorada e provocantemente põe a nú, passo a passo, o programa minucioso das intenções conscientes, das buscas elaboradas, das escolhas precisas e das medidas mais eficazes através das quais O Corvo foi gerado.
Abrindo as cortinas que as vaidades de seus contemporâneos mantinha zelosamente cerradas, E. Poe desvela os bastidores do processo criador, surpreendendo, mais uma vez, o leitor com uma revelação das mais inesperadas: o "modus operandi" de sua criação vinha em sentido inverso, começava pelo fim: "Prefiro começar com a consideração de um efeito". Ou seja, a prieira escolha, aquela que determinará todas as subseqüentes, é a escolha do efeito, unidade de impressão que o poema devera ser capaz de provocar ao ser consumado.
Como não poderia deixar de ser, muitas reações de repulsa produziu A Filosofia da Composição sobre os guardiões do mistério inefável da criação. Poetas e artistas, no entanto, encontraram nessa filosofia do compor a mais perfeita fenomenologia da criação como exercício lúcido, atento e vigilante que, longe de esterilizar o processo criador, ao contrário, alimenta a sensibilidade com a seiva da inteligência.
Mal poderia prever E. A. Poe, no entanto, que sua conjugação dialética da crítica e criação viria a se constituir naquilo que deu corpo e envergadura a todo o fazer poético da modernidade, este que se erigiu sob o signo da poesia como ser-sensível-autopensante: imagem valeriana da Serpente a morder sua própria cauda.

SP, 13 de outubro de 1985.


 

 

Lucia Santaella
in O Corvo, Ed. Expressão, pág. 7-9, 1986.

 

(Texto gentilmente cedido pela autora para este [www.elsonfroes.com.br] site)

 

[http://www.elsonfroes.com.br/santaela.htm]

 

 

 

APOIO CULTURAL:
 
MAIS DIESEL LTDA. (FORMOSA - GO)
AUTOPEÇAS E ACESSÓRIOS:
Mais Diesel
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
OS MELHORES LICORES E BISCOITOS DA
AMAZÔNIA VOCÊ PODE ENCONTRAR, AOS DOMINGOS,
NA FEIRA DA AV. EDUARDO RIBEIRO, CENTRO MANAUS
(uma avenida central da capital amazonense, que
permanece fechada na parte da manhã e da tarde,
para que funcione a referida feira, ONDE ATÉ
MESMO LIVROS RAROS DE ESCRITORES AMAZONENSES
SÃO VENDIDOS EM OUTRO QUIOSQUE-LIVRARIA),
 NO QUIOSQUE DE 
BISCOITO REGIONAL FAZENDA AYAPUÁ
 
 
 
 
 
 
LIVRARIA DO CHIQUINHO (NO CAMPUS DA UnB / MINHOCÃO):

Mariana Costa/UnB Agência
Chiquinho com o livro que Ísis Valverde comprou. A atriz tentou disfarçar quem era


(...) MULHER BONITA PAGA – Os atores não passaram despercebidos pelo Minhocão. Ísis Valverde, que esteve na Livraria do Chico, na Ala Norte do Minhocão, foi reconhecida imediatamente pelo livreiro. “Perguntei se era a atriz Ísis Valverde, mas ela disse que não”, conta Francisco Joaquim de Carvalho, o Chiquinho, que vende milhares de títulos no lugar há mais de 30 anos.
Chiquinho não acreditou. Mas tratou-a como a todos os frequentadores da banca onde vende milhares de títulos há mais de 30 anos. Sugeriu a ela o livro Cultura: um conceito antropológico, do professor do Departamento de Antropologia da UnB, Roque de Barros Laraia. Ela gostou da indicação e, quando foi pagar no cartão de crédito, confirmou a suspeita de Chiquinho. Estava lá o nome que ela tentava esconder. Quando questionado se deu o livro de presente a ela, o vendedor foi categórico. “Eu não. A boniteza dela não paga as contas”, diverte-se. (...)
 
 
 
 
 
 
 
 
COLLECIONE LTDA.
Venda e compra de moedas, cédulas, selos,
medalhas comemorativas, militares e honoríficas,
cauris [proto-moedas conchas] e miniaturas 
Edifício Brasília Rádio Center - Sobreloja - Brasília - DF / Asa Norte
Atendimento: Lucicleide / Júnior

 
 Atendimento Collecione.com
(61) 3327-3643 / 9219-8243 / 9256-8125
Nosso Endereço: SRTVN 701 BLOCO "P" Sobreloja 09/74 - Collecione.com

 
 
 
 
 
 
 
CIA DO SOM
Caixinhas de som mini-auto e mini-aerocaça - instrumentos musicais -
artigos musicais - pen-drives - acessórios para celulares - brinquedos
Fone: (61) 3632-1021
Estação Rodoviária
Formosa - GO
 
(FOTO ILUSTRATIVA DE PRODUTO SEMELHANTE AO QUAL DISPOMOS - DEVIDO À ROTATIVIDADE DOS ESTOQUES, CONSULTE-NOS SOBRE O MODELO QUE TEMOS NA LOJA)
CIA DO SOM
Caixinhas de som mini-auto e mini-aerocaça - instrumentos musicais -
artigos musicais - pen-drives - acessórios para celulares - brinquedos
Fone: (61) 3632-1021
Estação Rodoviária
Formosa - GO
 STUNT CAR TOY - MUSIC CAR - REMOTE CONTROL
(Caixa de som com entrada para pen-drive)
 
 
 
 
 
 
 
 
 
 
 
 
 
"Nossa Revista "O Pioneiro" conta com uma linha editorial de excelente padrão, com relevantes matérias buscando sempre o desenvolvimento e a cultura do nosso País e em particular da nossa Capital. A Revista é distribuida a todos nossos associados, Congresso Nacional, Universidades, Autarquias, Órgãos Federais, GDF, Entidades de Classe, Comércio e Industria e Embaixadas.

 

 
       
     
   
     
   
       
 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
ARTESANATO GOIANO: ENCOMENDE PELA
INTERNET E RECEBA A ENCOMENDA
PELO CORREIO!
BENGALAS, PORTA-TOALHAS E OUTROS
UTENSÍLIOS DOMÉSTICOS E MOLDURAS
RÚSTICAS FORMOSENSES
("A sua bengala, única no mundo!
Ofereça uma a quem você ama e precisa!"):
GRAVAMOS O SEU NOME NO PUNHO;
APOIO DA PONTA: BORRACHA NATURAL;
A ALTURA É CUSTOMIZADA PELO CLIENTE;
MADEIRA DE ELEVADA DURABILIDADE;
PUNHOS ESPECIAIS PARA A BENGALA QUE VOCE JÁ TEM;
PERSONALIZAMOS O PRODUTO: GRAVAMOS
NOMES, DESENHOS SIMPLES (bengala rústica),
MENSAGENS, ESCUDOS E LOGOTIPOS NO PUNHO:
BRINQUEDOS: BENGALINHAS DE MADEIRA
PARA CRIANÇAS;
PORTA-BENGALAS RÚSTICO;
BENGALAS NOVAS E DE SEGUNDA MÃO
[PREÇO DA BENGALA RÚSTICA USADA: 30 REAIS]
MOLDURAS RÚSTICAS, DE MADEIRA;
AZULEJOS EMOLDURADOS;
"Emoldure o seu ajulejo raro ou
do seu clube do coração! Temos alguns azulejos
de time de futebol em estoque!"
(PREÇO: 80 REAIS, INCLUÍDA A REMESSA PELO CORREIO
- PREÇO DA BENGALA COMUM EM MADEIRA, SEM PINTURA,
BENGALA ENVERNIZADA: 60 REAIS, MAIS A REMESSA);
telefone: (61) 9870-2007;
não possuo e-mail, mas, se o tel. estiver inativo
provisoriamente, você pode mandar e-mail de
recados para: [email protected],
a/c Sr. Cláudio Ramalho
 
 
 
 
 
 
 
 
DESENHO DE UM PORTA-BENGALAS: ENCOMENDE O SEU COM O
DESENHO E O NOME OU FRASES QUE VOCÊ PREFERIR 
 
 
 
 
 
 
[As bengalas a seguir mostradas não estão à
venda, mas se você quiser uma como a usada
pelo bom gorila, fale conosco: galho caído,
hiper-rústico, grátis]
 BENGALAS CHIQUÉRRIMAS:

 
 
 
 
 
 
 
 
 
 
 
Bengala com cabo de ouro
 
 
 
 
 
 
 
Millsaps College Crest and Seal
 
 
 
File:Gorilla tool use.png
 
 
 
 
1
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
SE VOCÊ QUISER ALGO AINDA RÚSTICO, MAS MAIOR, COM
PEÇAS DE MAIOR REQUINTE E MÓVEIS GRANDES, VISITE:
http://artesanatorustico.com.br/ (ARTESANATO RÚSTICO
ESTRADA REAL, em Belo Horizonte/MG,
"Fundado em 2011, por Wenceslau Moreira Magalhães e sua esposa, Lucimeire de Araújo Paulo Magalhães, e por um artesão, amigo do casal, o Artesanato Rústico Estrada Real, estabeleceu-se numa propriedade rural, que fica situada no sopé de uma linda montanha, na Região Metropolitana de Belo Horizonte, no Estado de Minas Gerais, propriedade esta que se encontra localizada às margens da Estrada Real, a qual foi utilizada, no passado, como parada de tropeiros, na época da corrida e exploração das pedras preciosas de Minas Gerais por parte dos bandeirantes e de outros desbravadores.
 
Artesanato Rústico Estrada Real produz e comercializa artesanato e móveis rústicos de madeira nobre, de demolição, oriunda do casarão, do paiol, e do engenho antigo que compunha a antiga sede de uma Fazenda, bem como mediante a aquisição de madeira de demolição de outras propriedades da região.
 
Com o decorrer do tempo, o Artesanato Rústico Estrada Real planeja abrir lojas de “show room” nas cidades de Caeté e de Itabira, em Minas Gerais, buscando, assim, facilitar o acesso dos consumidores aos seus produtos e melhorar o atendimento à sua clientela.
 
Artesanato Rústico Estrada Real preocupa-se em contribuir com o meio ambiente, uma vez que toda matéria prima utilizada na fabricação de suas peças – artesanato e móveis rústicos de madeira – provém de antigos casarões, silos, paiol, galpões e engenhos da região, reduzindo o desmatamento de nossas florestas, tão agredidas pelo homem, de há muito.
 
Nosso artesanato é composto por peças únicas, exclusivas, singulares e sem similar no mercado, o que caracteriza e distingue nossas peças, tornando-as mais um atrativo personalizado para sua casa, apartamento, fazenda, sítio, chácara, ou para o seu ambiente profissional;
localização:
Artesanato Rústico Estrada Real está estabelecido numa propriedade rural, situada no sopé de uma linda montanha, na Região Metropolitana de Belo Horizonte, propriedade rural que está localizada às margens da “Estrada Real”, a qual foi utilizada, no passado, como parada de tropeiros, na época da corrida e exploração das pedras preciosas de Minas Gerais por parte dos bandeirantes e outros desbravadores,
PRODUTOS:

Confira, abaixo, alguns dos produtos que o Artesanato Rústico Estrada Real faz, de forma bem artesanal:
- Aparadores
- Arcazes
- Armários
- Aves (arara, gavião, tucano, dentre outros)
- Bancos
- Baús
- Bichos (galo, coelho, raposa, dentre outros)
- Cabideiros
- Cadeiras
- Camas
- Carros de boi
- Cômodas
- Criados
- Cristaleiras
- Escrivaninhas
- Espreguiçadeiras
- Fruteiras
- Gamelas
- Mesas
- Molduras
- Placas (para Fazendas, Sítios, Chácaras e outros aplicativos)
- Porta papel higiênico
- Porta toalhas
- Quadros
- Variedades diversas
 
Também desenvolvemos artigos personalizados, entre em contato e faça um orçamento.")
 
 
 
 
 
 
 ESTRADA REAL [ESTADO DE MINAS GERAIS, BRASIL]
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
O MELHOR RESTAURANTE DE FORMOSA/GO:
 
 
 
 
 
 
 
 
 
 
 
HOSPEDE-SE NO
ABC PALACE HOTEL
MELHOR OPÇÃO EM FORMOSA!
Venha se hospedar em nosso hotel. São 45 apartamentos para sua acomodação.
ABC Palace Hotel é como sua casa com as comodidades dos serviços do
melhor hotel de Formosa.
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
TAP PORTUGAL (APOIO À PARTICIPAÇÃO EM EVENTOS),
A MAIOR EXPORTADORA DE PRODUTOS PORTUGUESES:
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
JORNAL DA TAP:
http://jornal.tap.pt/Pages/Default.aspx
 
 
 
 
 
 
TEUTO - CURSO DE ALEMÃO
(São Paulo - SP,
 
 
 
 
 
 
PORTAL ENTRETEXTOS:
 
 
 
 
 
 
Dilson Lages MonteiroSábado, 02 de março de 2013
 
 
 
 
 
 
 

A COLUNA "RECONTANDO ESTÓRIAS DO DOMÍNIO PÚBLICO", DO SITE  ENTRETEXTOS, QUE É SUB-EDITADA PELO TIO-AVÔ DA LUANA, NA FOTO QUE SE PODE SEMIOTICAMENTE LER EM:
http://www.portalentretextos.com.br/colunas/recontando-estorias-do-dominio-publico/o-colunista-com-duas-luanas-e-uma-canoa-igarape-em-manaus,236,8675.html
["O colunista com duas Luanas e uma canoa (igarapé em Manaus)" 26.2.2013]
 
 
 
 
 
 
LABORATÓRIO DE REDAÇÃO
PROF. DÍLSON LAGES:
(Teresina-PI):
 Professor Dilson
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
IASS-AIS:
(UM DOS MEMBROS DA DELEGAÇÃO BRASILEIRA JUNTO À
DIRETORIA DA IASS-IAS:
PROF. DR. EUFRÁSIO PRATES, PhD EM ARTES PELO IDA/UnB,
EX-PRESIDENTE DA ABSB)
 
 
REGIONAL RECORTE/FORMOSA/GO, Seção Municipal da ASSOC. RECORTE
 
ASSOCIAÇÃO RECORTE (Regional Centro-Oeste/Norte) DR. G. DORFLES
 
ABSB (ASSOCIAÇÃO BRASILIENSE DE COMUNICAÇÃO E SEMIÓTICA), filiada à IASS-AIS
 
[DIVULGAMOS TAMBÉM OS EVENTOS DA ABES (ASSOCIAÇÃO BRASILEIRA DE ESTUDOS SEMIÓTICOS) E DO CISC (http://www.cisc.org.br/portal/index.php);
A ABS/RECORTE ainda não se filiou ABES, o que pretende fazer na próximo Encontro Nacional dessa Instituição científica;
foi declarada extinta a ABS, com a fundação da ABES; 
AGRADECEMOS À TAP PELO APOIO A EVENTOS CIENTÍFICOS NA EUROPA -
trechos a partir de Lisboa ou de volta à capital portuguesa]
 
 
 
 
 
Semiótica - Peirce, Sausurre, Jakobson, Bakhtin e Lotman,
Youtube:

"Enviado em 30/04/2008

 

Trabalho apresentado na pós em Comunicação, Publicidade e Negócios - IV, CESUMAR, 2008.
 
[COMENTÁRIOS]
Antonio Castro Nilo 1 ano atrás
  •  
  • Muito bem. Bravo por los trabalhos de calidad qui nos vienen de Brasil. Como se darán cuenta escribo entre portugués y castellano, es mi forma de explorar la lingua do Brasil. Creo que faltó señalar el aporte de Nicolai Troubetzkoy, compañero de pesquisa de R. Jacobson en la fundación de la Fonología.Nuevamente bravo.!
     
     ·  
  • missfernandalhama
    missfernandalhama 2 anos atrás
    Arrasou na trilha sonora!
     
     ·  
  • vrockmetal
    vrockmetal 3 anos atrás
    Muito bom video, em português é muito melhor!
     
     ·  
  • Orsonpitbull
    Orsonpitbull 3 anos atrás
    Los mejores videos estan en Portugues!!!!!!!! (...) 
     
     ·  
  • seihiken
    seihiken 4 anos atrás
    me gustaria una versión en español... gracias.
     
     
     
     
     

===

 

 

 

"Tuesday, September 8, 2009

From the Galleries: Poe in popular culture

Cover of The Beatles album Sgt. Pepper's Lonely Hearts Club BandPoe’s influence on varied and broad swaths of popular culture—hard-boiled detective fiction, horror and suspense films, song lyrics, crime-scene-analysis dramas, graphic novels—seems to prove Allen Ginsberg’s claim that “everything leads to Poe.” Immortalized in the minds of readers and fans—as well as in television, film, t-shirts, and collectibles—Poe continues to fascinate and inspire.

One classic example is Poe’s appearance on The Beatles’ Sgt. Pepper’s Lonely Hearts Club Band album (1967). In their song “I Am the Walrus,” The Beatles declared, “Man you should have seen them kicking Edgar Allan Poe.” The band also made him a member of Sgt. Pepper’s Lonely Hearts Club, placing him in a prominent position on the memorable album cover.

Many other popular musicians have paid homage to Poe: Alan Parsons—famous for his engineering of Pink Floyd’s Dark Side of the Moon—set Poe’s works, such as “The Tell-Tale Heart” and “The Raven.” In 2003, Lou Reed released a concept album, The Raven, featuring musical and spoken interpretations of Poe’s works by various actors, including Steve Buscemi and Willem Dafoe.

Visit the Poe exhibition for many more examples of Poe’s influence in popular culture."

(http://www.utexas.edu/opa/blogs/culturalcompass/2009/09/08/from-the-galleries-poe-in-popular-culture/)

 

 

===

 

 

"The Raven in popular culture

 

Edgar Allan Poe's poem "The Raven" has been frequently referenced and parodied in contemporary culture. Immediately popular after the poem's publication in 1845, it quickly became a cultural phenomenon. Some consider it the best poem ever written.[1] As such, modern references to the poem continue to appear in popular culture.

Contents 

Print

"Deep into that darkness peering, long I stood there wondering, fearing,
Doubting, dreaming dreams no mortals ever dared to dream before;
But the silence was unbroken, and the stillness gave no token,
And the only word there spoken was the whispered word, ..."
"Guv'nor!"
 
Will Elder's absurd illustrations of "The Raven", from Mad Magazine #9, March 1954.
  • In the magazine Mad issue 9 (March, 1954), "The Raven" is reprinted in full with absurd illustrations by Will Elder. Another parody appeared in a Mad collection, We're Still Using That Greasy MAD Stuff (1959). It was titled as "The Spaniel." Rather than "Nevermore," the author was bombarded with famous commercial taglines. A more recent parody in Mad by Frank Jacobs, titled "The Reagan", appeared in issue 265 (September 1986). Even more recently, the poem was used to parody horror movies, and how successful ones often have sequels made that are of low quality. The recurring line is, "Quoth Wes Craven, let's make more!"[3]
  • In the Donald Duck 10-pager "Raven Mad" by Carl Barks, published in Walt Disney's Comics and Stories #265 in 1962, Huey, Dewey and Louie play with a raven who can only say "Nevermore." As in the poem, the raven often repeats the word throughout the story.
  • "The Raven" has been the subject of constrained writing. Georges Perec's novel A Void (1969), written entirely without the letter 'E' in French and subsequently translated into English by Gilbert Adair under the same constraint, contains a full-length "translation" of "The Raven" entitled "Black Bird." It is attributed to "Arthur Gordon Pym."[4]
  • Mathematician Mike Keith has also referenced the poem in three examples of constrained writing:
    • "Near a Raven" is a reworking of Poe's poem in which the length of words correspond to the first 740 digits of pi (1995)
    • Cadaeic Cadenza, a longer work under the same constraint, begins with the full text of "Near a Raven" (1996)
    • "Raven-Two", a poetic anagram of the original (1999)
  • In Joan Aiken's novel Arabel's Raven (1972), as well as further books from the Arabel and Mortimer series, a young girl named Arabel has a pet raven named Mortimer who often says the word "Nevermore!" Aiken won an Edgar Award in 1972.
  • The Calvin & Hobbes collection "The Essential Calvin and Hobbes: A Calvin and Hobbes Treasury" (released September 1988) contains an original illustrated poem, "A Nauseous Nocturne," which is clearly patterned after "The Raven."
  • In Stephen King's novel Insomnia (1994), Ralph compares an omen to the raven of the poem. The novel Black House (2001), written by King and Peter Straub, also features a talking crow reminiscent of the raven in Poe's poem.[5] Part III of the novel is entitled "Night's Plutonian Shore."
  • In Robin Jarvis's Tales from the Wyrd Museum trilogy (1995–1998), Woden has two raven servants named Thought and Memory. Memory is known as Quoth throughout the stories, and occasionally says "Nevermore".
  • In the seventh book of Lemony Snicket's A Series of Unfortunate Events, The Vile Village (2001), a tree in the center of the village covered with crows is called the "Nevermore Tree."
  • Neil Gaiman references "The Raven" in two of his works:
    • In the novel American Gods (2001), the protagonist, Shadow, asks one of Odin's ravens, "Hey, Hugin or Munin, or whoever you are. Say 'Nevermore.'" The raven responds, "Fuck you."[6]
    • The comic book series The Sandman features a raven named Matthew, who has been transformed into a raven as an alternative to death. At one point in the series, he flaps his wings and screams, "Nevermore!", only to explain that he was "being Peter Lorre in that one Roger Corman movie".
  • Level Ground Press and artist Bill Fountain published an illustrated re-imagining of "The Raven" in 2005. The book incorporates raven myths and legends from around the world into the visual interpretation of the story.
  • Holly Black quotes the poem in her 2005 novel Valiant : A Modern Tale of Faerie, alluding to it as the source for the name of the drug called 'Nevermore'. However, this is later contradicted, when one of the characters asserts that the name comes from the limitations of its use: "Never more than once a day, never more than a pinch at a time, and never more than two days in a row."
  • The fantasy novel The Eyre Affair by Jasper Fforde features a villainous character named Jack Schitt who is ultimately trapped inside a copy of "The Raven".
  • The first of the books based on the hit TV series Supernatural is called Nevermore. Poe is also very important for the rest of the book, as the murders that the main characters, Sam and Dean Winchester are investigating are reinactments of The Murders in the Rue Morgue, The Cask of Amontillado and The Tell-Tale Heart, respectively, and it all turns out to be part of a ritual to bring Poe back to life.
  • Terry Pratchett's Discworld series contains a talking raven named Quoth, whose first injunction to new acquaintances is that he "won't say the N-word."

Film

  • "The Raven" was recreated as a hallucination of Poe's in the 1915 silent film The Raven. A fictionalized biography, it starred Henry B. Walthall as Poe.
  • The 1935 film The Raven has Bela Lugosi as a Poe-obsessed doctor and costars Boris Karloff. The film has an interpretive dance of "The Raven".
  • In 1942, Fleischer Studios created A Cartoon Travesty of The Raven. A two-reel Technicolor cartoon based upon "The Raven" which turned the story of the poem into a lighthearted comedy.
  • A Bugs Bunny cartoon, No Parking Hare, has Bugs reading a few lines from the poem, starting with the words, "While I nodded nearly napping". The comic he reads them from is stated as "Poe's Kiddie Comics".
  • In 1963, Roger Corman directed The Raven, a comedy with Boris Karloff and Vincent Price, very loosely based on the poem.
  • In the 1967 stop-motion film Mad Monster Party, Baron von Frankenstein tests his new potion on a raven, and lets it fly until it lands on a tree branch. Watching the resulting explosion, he says with a chuckle, "Quoth the raven... nevermore. Ah, I've done it -- created the means to destroy matter!"
  • The stop-motion short film Vincent (1982), by Tim Burton, features a protagonist named Vincent Malloy, whose "favorite author is Edgar Allan Poe." As Vincent lies, seemingly dying, at the end of the film, he quotes the final couplet of "The Raven".
  • In the 1983 film The Dead Zone, Christopher Walken (as a school teacher Johnny Smith) quotes "The Raven" to his class during a lesson.[7]
  • In the 1986 film Short Circuit, the robot Number 5 (voiced by Tim Blaney) makes the comment "nevermore" in reference to a pet raven of Stephanie Speck's (portrayed by Ally Sheedy).
  • In the 1989 film Batman, Jack Nicholson (as The Joker) quotes "The Raven" to Kim Basinger's Vicky Vale when he says, "Take thy beak from out my heart."
  • Hannes Rall directed an animated, German-language version of The Raven (Der Rabe) in 1998.
  • In the 1994 film The Crow, Eric, the tragic main character, references "The Raven" before blowing up Gideon's pawn shop: "Suddenly, I heard a tapping, as of someone gently rapping, rapping at my chamber door. You heard me rapping, right?"
  • In the film The Pagemaster, when Richard and his books enter Dr. Jekyll's mansion and the door closes behind them, a raven flies down past them and says "Nevermore" as it does so.
  • In the 2001 sequel Dr. Dolittle 2 starring Eddie Murphy, when Dolittle holds a meeting with all the animals about how Archie the bear can help save their forest, most of the animals walk away because Archie seems like an idiot who won't be of much help. An irritated raven flies away saying "Nevermore".[8]
  • The poem was translated to film by Trilobite Pictures and director Peter Bradley in 2003. The short film was released on DVD in 2005 by Lurker Films. As of 2012, the full film can be viewed online.
  • The film Nightmares from the Mind of Poe (2006) adapts "The Raven" along with three Poe short stories: "The Tell-Tale Heart", "The Cask of Amontillado" and "The Premature Burial".
  • In the 2005 film The Crow: Wicked Prayer the third sequel to The Crow, during the final battle between Jimmy and Luc, Jimmy tauntingly shouts "Quoth the raven nevermore, motherfucker!"
  • In the 2010 film The Expendables, numerous references are made to ravens and, obliquely, to "The Raven." The character played by Sylvester Stallone is in the process of getting a tattoo completed which features a raven, and the seaplane which his team travels in also features an oversize picture of a raven.
  • A film entitled The Raven, which stars a fictionalized Poe, was released in March 2012.

Television

 
The Simpsons version of "The Raven" (3rd segment of the first Treehouse of Horror special): Homer cries out "Be that word our sign of parting."
  • The Simpsons episode "Treehouse of Horror" parodies the poem in its third segment as Lisa reads the story to Bart and Maggie. In the animated segment, Homer serves as the protagonist, Bart takes the raven's form, Marge appears in a painting as Lenore and Lisa and Maggie are angels. Bart complains that the poem is not scary, and at one point the raven says his catchphrase "Eat my shorts" instead of "Nevermore." Homer provides the spoken dialogue for the narrator, while James Earl Jones voices his thoughts. Much of the story is cut for time for this segment. The story culminates (after the last two lines of stanza 17 are repeated again) with Homer chasing the Bart-raven around the study before the last stanza (before said last stanza is told, the Bart-raven drops books of other stories by Poe onto Homer). Poe and "The Raven" are also referenced in "The Simpsons" episode "Saturdays of Thunder", when Dr Nick Riviera appears in an infomercial spruiking a cleaning product that will clean dirty grave stones. Troy McClure responds to Riviera with: "Quoth the raven, 'What a shine'."
  • Night Gallery, hosted by Rod Serling, featured a brief, humorous story entitled "Quoth the Raven." It featured Poe, portrayed by Marty Allen, being constantly maligned by a talking raven (voiced by uncredited Mel Blanc) on a bust of Pallas as Poe is trying to write the original "Raven" poem.
  • Garfield and Friends parodied the poem in the form of a U.S. Acres short titled "Stark Raven Mad", in which Orson narrates, to the tune of the poem, guarding the harvest against Roy's attempts to steal it.
  • The Histeria! episode "Super Writers" featured a sketch in which a Peter Lorre-esque Poe attempts to pitch his poem to Sammy Melman, who wants a brighter poem with a happy narrator and a bunny instead of a raven. This frustrates Poe to no end and eventually drives him to publish the poem independently. Later in the episode, in a sketch featuring Poe as a villain, the raven serves as his sidekick.
  • Tiny Toon Adventures parodies the poem, with the character Sweetie Pie playing the role of the raven while Vincent Price does the voice-over for the narrator.[9]
  • The Pinky, Elmyra & the Brain episode "The Ravin!" parodies the poem, with the Brain narrating and Elmyra using a phrase repetitively.
  • In the TV show The Addams Family, Morticia uses "The Raven" as a bed-time story to her son Pugsley, reciting it as a nursery rhyme. (Episode 1.2 "Morticia and the Psychiatrist", original air date: 25 September 1964)
  • The 1960s sitcom The Munsters featured a cuckoo clock with a wise-cracking raven (who had named himself "Charlie") instead of a cuckoo, which would emerge and say, "Nevermore, Nevermore" - usually as a comic foil for Herman Munster.
  • The animated series Beetlejuice featured Poe as one of the eccentric residents of the Nietherworld.
  • An episode of Teen Titans entitled "Nevermore" follows two of the main characters, Beast Boy and Cyborg, as they use a magical mirror to enter the mind of their friend Raven.
  • In the Gilmore Girls episode, "A Tale of Poes and Fire," "The Raven" is recited by two men dressed like Edgar Allan Poe for a Poe convention.
  • In episode 3 of season 4 of Alton Brown's Good Eats ("Fry Hard II: The Chicken") on Food Network, Brown's prologue to the episode shows him rummaging through his cookbooks ("forgotten lore") looking for chicken recipes accompanied by a voice-over of him reciting a parody of the first few stanzas of the poem, during which a plastic chicken, taking the raven's place, perched on the bust of Julia Child and repeatedly says "Fry some more".
  • The DuckTales character Poe De Spell is a raven who often says "nevermore".
  • The Muppet Babies episode "Quoth the Weirdo" is featured around poetry. Gonzo found much appeal in the spooky atmosphere of "The Raven".
  • The Gothic cartoon series Ruby Gloom based on the apparel franchise of the same name features three ravens named Edgar, Allan and Poe, with Poe being the most prominent.
  • In one episode of "Bullwinkle's Corner" from The Bullwinkle Show, the poem parodied is "The Raven". The bird which comes into Bullwinkle's "chamber spooky" is a woodpecker instead of the expected raven. Bullwinkle pursues the imposter bird with a fireplace poker and ends up hitting himself on the head. The narration concludes "Now the room is round me wavin'/ feels like I've been in a cave-in/ When will next I read "The Raven"?/I can tell you...nevermore!"
  • In the 11th episode (called 'Nevermore) of television series Warehouse 13, many Poe poems feature, including The Tell-Tale Heart and, of course, 'The Raven'.

Music

  • The psychedelic band The Glass Prism released an album in 1969 entitled "Poe Through the Glass Prism," with the lyrics coming entirely from various poems by Poe. "The Raven" was the single from the album.
  • The band Kennelmus released the song "The Raven" on their 1971 album "Folkstone Prism" with lyrics derived from the poem.
  • The Alan Parsons Project album Tales of Mystery and Imagination (1976) includes a song based on "The Raven" and entitled the same, but with only two verses.
  • A musical variation of "The Raven" was performed by the Grateful Dead during Space on April 19, 1982.
  • The black metal band Carpathian Forest used the first two verses of the poem for "The Eclipse / The Raven" on their EP Through Chasm, Caves and Titan Woods (1995).
  • The gothic metal band Tristania released a track titled "My Lost Lenore" on Widow's Weeds (1998). It is clearly inspired by this poem, but does not incorporate the poem as part of the lyrics. The entire album is in fact reminiscent of The Raven."The Ravens" is another song inspired by the poem, although its main theme is terrorism.
  • The German black metal band Agathodaimon quotes "The Raven" in the song "Les Posédes" on their 1999 album Higher Art of Rebellion.
  • A song based on "The Raven" appears on the Grave Digger album The Grave Digger (2003), alongside other songs based on the work of Edgar Allan Poe.
  • Lou Reed's 2003 album The Raven is based on Poe's work, including his own version of The Raven in a song by the same name.
  • The song Kremlin Dusk, from Japanese pop star Utada Hikaru's English-language album Exodus (2004), begins "All along, I was searching for my Lenore/In the words of Mr. Edgar Allan Poe/Now I'm sober and "Nevermore"/Will the Raven come to bother me at home." It also refers to the "dying ember" line in the poem.
  • Seattle, Washington metal band Nevermore got its name from the repeated refrain in "The Raven". The band also referenced it in the title track from their 2005 album This Godless Endeavor.
  • The Dutch neoceltic pagan folk band Omnia put a slightly edited version of the poem to music as the second track on their 2007 album Alive!.
  • The American gothic horror band Nox Arcana released a CD entitled Shadow of the Raven in 2007. Three songs—"Midnight Dreary", "The Raven" and "Nevermore"—as well as the album's title, are direct references to the poem.
  • The German symphonic metal band Xandria included the quote "Thus spoke the raven, 'Nevermore'" in their song Ravenheart, which is inspired by the poem as well.
  • The Christian third-wave ska band Five Iron Frenzy quotes many of Poe's lines in "That's How The Story Ends", from The End Is Near, and alludes ironically to the mysterious and somber mood of "The Raven".
  • The song "Campanas en la Noche" ("Bells in the Night") by the Argentine rock band Los Tipitos, the tale of a man wishing for the return of his lover, is loosely based on the poem. This relationship is even more evident in the song's video, which features the bust of Pallas and the titular raven itself.
  • Rapper MC Lars released the track "Mr. Raven" on The Laptop EP, quoting some lines directly from the poem and modifying others (e.g. "Once upon a midnight dreary, while I kicked it weak and weary").
  • The Canadian artist Nash the Slash included an instrumental track called "Lost Lenore" on his vinyl album The Million Year Picnic.
  • Jean Sibelius allegedly based an early conception of his fourth symphony on "The Raven".[citation needed]
  • The Devil Wears Prada used a track of a man reading a part of "The Raven" as a part of an introduction to concerts during a 2008 tour with Underoath. The piece led into the ending breakdown in the song "Goats on a Boat".
  • The Dutch based hardstyle artist DJ Pavo released a track entitled "Raven", which quotes various lines from the poem.
  • Buddy Morrow and His Orchestra recorded an album of songs based on Poe's works. The album, "Poe for Moderns," includes a condensed, jazzy version of "The Raven."
  • The hip hop group CYNE included a track called "The Raven" on their 2009 album Water for Mars. The group paraphrases Poe's famous line in a few cynical lines (e.g. "Nevermore said the raven, goodbye to innocence").
  • Recording artist Natalia Kills released a Halloween inspired, abridged reading of the poem with backing from Space Cowboy (musician) for 2009. She then released a version with the full poem for 2010, with no backing from Space Cowboy or vocal effects, instead, there were sound effects to reflect the poem.
  • Swiss folk metal band Eluveitie released a track titled "Quoth the Raven" on their 2010 release Everything Remains As It Never Was portraying the Raven as the harbinger of death.
  • A song written by Darren Criss entitled 'High School Rock Out' made a reference to the Raven with the line "And you think he might be waiting but behind him is your raven singing 'Nevermore' I'm laying him down". [10]
  • The Band known as "Circus Contraption" had the lyric "Nevermore the raven said and then he fell upon his head the poor bird lost his balance in flight" in their song "We Are All Mad".
  • In his song "Now Is Now", Reverend Flash uses the line "Vainly, I had sought to borrow" in a verse which ironically addresses purported plagiarism in the song itself.
  • Spoken at the end video for the 30 Seconds to Mars song 'Hurricane' are the lines "Deep into that darkness peering, long I stood there wondering, fearing, doubting, dreaming dreams no mortal ever dared to dream before".

Other

  • Lord Buckley recorded a "hipsemantic" version of "The Raven" in 1956 ("It was a real drugged midnight... dreary.").
  • Computer scientist Guy L. Steele, Jr. wrote a parody entitled "The HACTRN" about a hacker haunted by a phantom process.[11]
  • The Raven Society, founded in 1904, is the University of Virginia's most prestigious honor society, combining requirements of high-level scholarship, service, leadership, and "promise of further advancement in the intellectual field." New members must supply a parody of the poem for initiation, which takes place in the room where Poe lived when studying at the University, now under the curatorship of the Society. The Society also maintains several other Poe sites, including the grave marker of his mother Eliza Poe in Richmond, Virginia.[12]
  • Professional wrestler Raven (Scott Levy) takes his stage name from the title of the poem, and often quotes from the poem in interviews, ending with "...Quoth the Raven...Nevermore..."
  • The comic strip Shoe ran a strip in which a large, strange, black bird was sitting at Roz's bar, uttering random words starting with "never-" or ending in "-more" (e.g., "Livermore!"; "Nevertheless!"), when one of the regular characters announced that the raven was bombed.
  • Poe lived in Baltimore for a considerable time and is buried there. Residents of the city elected to honor Poe by naming their National Football League team the Baltimore Ravens after the poem.[13] Furthermore, the three mascots for the team are three ravens, appropriately named "Edgar", "Allan" and "Poe." For many years, pre-game introductions of the Ravens' starting lineup would be preceded by a stanza from the poem, usually one which ended with the word "Nevermore," referring to the opposing team's putative inability to score when facing the powerful Raven defense. In 2000, when the Ravens were on their way to winning their first Super Bowl primarily on the strength of that record-setting defense, Chris Berman of ESPN's NFL PrimeTime would often punctuate highlights of the team's results that day by saying, "Quoth the Ravens, Never score!". Another example is the all-haiku 2008 NFL season preview of ESPN.com columnist Gregg Easterbrook (who often calls the team the "Nevermores" in his column), which reads: "Awk! No offense. Awk! / Quoth the raven: "No offense." / Bal-a-mer Ravens".[14]
  • In another PC game, Nancy Drew: Ransom of the Seven Ships, if you find pieces of paper in the bottles while sailing, they will be automatically pieced together to form a passage from "The Raven", the one just before the raven appears. Certain letters in red will tell you to go to and dive to one of the sunken ships where the sharks are, and, using the metal detector from Johnny Rolle, you will find an Easter egg. This is also a reference of the next game, Warnings at Waverly Academy, as Corine mentions that she is a Poe fan, as well as Leela having the missing Poe book, "The Black Cat and Other Stories", which includes "The Raven" and other works, as well as the pendulum challenge, a reference of "The Pit and The Pendulum, which is also in Leela's book.
  • RavenCon, an annual science fiction convention in Richmond, Virginia, was named in honor of Poe, who grew up in Richmond.
  • In the video game mod Defense of the Ancients, a hero is named Nevermore, after the word the raven sequentially spoke. Nevermore the Shadow Fiend is a demon who collects and traps the souls of his enemies and his ultimate ability Requiem of Souls, releases the souls collected into an area to damage his enemies in a line. In stand-alone sequel Dota 2, his description is reminiscent of the poem; his background story says Nevermore has the soul of a poet, as well as warriors, criminals, slaves, and priests.[citation needed]
  • In the game League of Legends, the champion Swain uses ravens for his attacks. He carries a raven on his shoulder that attacks his enemies. He can turn himself into a giant raven surrounded by smaller ones for a short time. He also has a spell called Nevermove which immobilizes his enemies.
  • The original version of Epcot's Journey Into Imagination included an open book with the shadow of the Raven in the Tales of Terror sequence.
  • A Penny Arcade comic[15] parodies the poem by making the raven say "Jersey Shore" as a comment on the ad supported Amazon Kindle.
  • The webcomic xkcd parodies the poem by playing on the term "rapping", showing the first stanza followed by a picture of popular rapper Eminem [16]
  • A parody of the poem appears upon the poker forum operated by Two_Plus_Two_Publishing in the Bing Bland Blaow thread. [17] The parody was subsequently made into a Youtube video.[18]
  • In the universe of Warhammer 40.000, Corvus Corax, the primarch of the Raven Guard legion of the Space Marines, says "Never more" as his last words before he goes into the Eye of Terror and never returns.
  • A style of parody on messageboards involves mimicking the style of the poem to some degree, with the line "quoth the raven 'never more' replaced by "quoth the server, '404'", referencing a commonly seen http error code[19]

See also

References

  1. ^ Silverman, Kenneth. Edgar A. Poe: Mournful and Never-ending Remembrance. Harper Perennial, 1991. p. 237
  2. ^ "RE: Cremains / Ravens". Pro Exlibris archives. Retrieved 2007-04-01. [dead link]
  3. ^ Original issue unknown, source: "Greasy Mad Stuff"; compilation of various pieces from Mad, published by Signet, 1962. pp 132-133.
  4. ^ Perec, Georges. A Void. Translated by Gilbert Adair. London: The Harvill Press, 1995. p.108. ISBN 1-86046-098-4
  5. ^ "Back in 'Black' (2007) Stephen King and Peter Straub return to the shadows with the delightfully creepy Black House.". EW.com. 2001-09-21. Retrieved 2007-04-01. 
  6. ^ Gaiman, Neil. American Gods. Headline Review, 2005. p. 173 ISBN 0-7553-2281-9
  7. ^ "IMDB Memorable Quotes". 
  8. ^ "IMDB Memorable quotes for Dr. Dolittle 2". 
  9. ^ "Tiny Toon Adventures - Season 1 Episode 60 "How Sweetie It Is.". 
  10. ^ http://darren-criss.com/lyrics/highschool.php
  11. ^ Computer songs and poems: The HACTRN
  12. ^ Raven Society
  13. ^ "Baltimore Ravens History". Pro Football Hall of Fame. Retrieved 2006-08-25. 
  14. ^ "TMQ's all-haiku NFL preview". ESPN.com. Retrieved 2008-11-20. 
  15. ^ "A Quaint And Curious Volume". 
  16. ^ "xkcd 133". 
  17. ^ "2+2 Forums". 
  18. ^ "The R4V3N". 
  19. ^ "404 variants". 

External links

(http://en.wikipedia.org/wiki/The_Raven_in_popular_culture)

 

 

 

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(http://flickrhivemind.net/Tags/filatelia,francobolli/Interesting)